If you are in New Rochelle on October 15...

7 things every self-respecting Latina should own*

* if she is over 50, a speculative fiction writer, the bilingual editor of AL DÍA News, and if Supercompressor's original post shows up on her twitter timeline on a lazy Saturday morning.

I am a sucker for beautifully styled photos with tyrannical (and status-y) lists of items and their rationales appended. Like this one:

Yeah, I'm not even the intended audience and I clicked on it and read the damn thing. It's like the writer's (or the online magazine's) id in a flash.

And I decided (since it was a lazy Saturday morning, like I already mentioned) to replicate it ... sort of. Kind of. Mostly. So here goes — my instant gratification photo components, in imitation of Supercompressor's.

The change-it up accessory 

Supercompressor's bow-tie (upper right) has nothing on the scarf I picked for my photo. Now, I could tell you this is on my indispensable list because pink is a good color for aging skin (that's what the fashion mavens say, and who am I to dispute their wisdom?), or because it distracts from my turkey wattle neck (don't tell me if it doesn't) ... but really it is because I wear a lot of black clothing and this adds a shock of color and also doubles as a shawl in hyper air-conditioned office buildings in the summer. Here I am wearing the scarf when the totally awesome Las Cafeteras came to visit AL DÍA News Media and gave us an impromtu performance. 

The kicks

Loafers? Not a chance. But you can never have too many boots, preferably cowboy boots. They're comfortable; they readily dress up or dress down; come in versions from flashy to basic, and they wear like iron.

I don't wear any other footwear. Really.

Really, really.

I am not alone in my appreciation of the western boot. Latina writers Ezzy Languzzi and Lorraine C. Ladish rock them too. Consignment shops and places like Buffalo Exchange make it possible to buy a whole wardrobe of them without having to offer your first-born in trade.

The sauce

In Supercompressor's world every well-appointed desk has an unopened bottle of scotch in the drawer, for "spontaneous celebration, or rapid consolation." In my world every well-appointed desk has a bottle of hot sauce for celebration and consolation too. 

The multi-purpose tool

If you actually go to the Supercompressor piece you'll see that the headline obscures a pocket knife. It is much cooler looking than my little Swiss Army knife — but I bet it doesn't have the hidden tweezers you scramble for when you spot one of those after-you-turn-50-crazy-hairs waving at you. 

The jewelry

They go old-school proposing a mechanical watch. I go old-school proposing some really big earrings. I get old-school bonus points for singling out the pair that references pre-Colombian huacas. Double old-school bonus points because my mother wore them before me. 

The books

Even where the two posts coincide, they don't really. Supercompressor suggests that not having books in your home is kind of creepy, I say it is inconceivable. Supercompressor recommends a moleskine for those thoughts not worthy of blogging, I say get yourself over to Katie's Paperie if you like beautifully bound blank books, but no matter what the surface looks like, write whatever the hell you want on it ... maybe particularly your next blog post or your first novel. 

Ink — my novel of immigration-based, near-future dystopia — was written variously in spiral bound notebooks, on a desktop computer, on a laptop, in bound blank books and on scraps of paper. 

The important thing is to write. 

And to read. 

I'm starting on Americanah next — a story about an African immigrant couple who unwillingly split, one living in the U.S., the other in London — but there are hundreds of equally intriguing choices. Here's a summer reading list I wrote showcasing Latino writers, and another focused on Young Adult offerings. Almost every media organization worth its salt has published a summer reading list, and honestly, there is something for every taste out there. Just get reading already.

The essential

In their photo: a hammer. In mine: a small-batch original perfume from Mountain Spring Herbals, crafted from a proprietary blend of scents in a jojoba oil and beeswax solid. Because really, who doesn't love a scent you can't spill? ;) 

The plant

I can't tell what the tidy little plant in the professional photo is, but mine is one of multiple aloes I own. The plant's mucilage is great for burns, but mostly I love my aloes because they're generous and unruly and grow like crazy, even in my kitchen window during bleak northeastern winters.

• • •

Okay, now show me your id in a flash. Post a photo of the things you would put on your "should own" list in the comments below. 

The treatment of unaccompanied minors on the border reminiscent of dystopia

This week someone pointed out on Twitter that what is happening at our border — the characterization of children fleeing violence or hoping to be reunited with their families as security and public health threats rather than refugees; their dehumanizing detention conditions; the proposed expedited repatriation — is reminiscent of what happens in my novel, Ink.

Ink is an immigration-based dystopia. I wrote it imagining xenophobia the scale of which I thought was exaggerated, unimaginable in today's United States.

And I have watched in horror as piece by piece, bit by bit, we inch toward that unimaginable.

In my novel one of my characters paraphrases St. Augustine:

"Father Tom says Augustine had it right," says one of my characters, Mari, "that the soul takes more pleasure in what it has lost and recovered than what it has had all along. He says, given enough time, even a nation remembers it has a soul."

I am a person of faith. I believe in the soul, and the mercy and compassion it enkindles in us as individuals, as communities, as a community of communities. Perhaps we've simply forgotten, as we speak with cruelty or indifference about the fate of the children on our border, that we collectively have a soul. Perhaps we have lost what is best in each us as we dismiss or disregard the conditions of their detention, conditions we would fight tooth-and-nail to change if those detained were our own children. Perhaps what calls to be recovered is the mercy that prevents adults from preparing to send children, alone, back to horrific danger.

"Don't let the future be written for you," says another character in my novel, toward the end, after they've all suffered and sustained immeasurable losses in the struggle to keep their humanity alive and recover the soul of their dystopic America.

I cannot help but think we are poised at a crucial juncture here, now. What future are we letting cynical legislators, Minutemen and haters write for those powerless and vulnerable children? What future are we letting those same legislators, Minutemen and haters write for us, and in our name?

I love the Aloe Blacc, Alex Rivera and NDLON collaboration represented by the video that follows this post. It uses distinct signifiers — in music, in image, in activism — to write a story of human connection, of solidarity, of compassion and a future of hope ...  Life's a game made for everyone, and love is the prize.

#Not1MoreDeportation

My schedule at Readercon 25

Thursday, July 10

8 PM 

East, West and Everything Between: A Roundtable on Latin@ Speculative Fiction

Panel: Matthew Goodwin, Carlos Hernández, Daniel José Older, Julia Rios and Sabrina Vourvoulias 

This freeform conversation will look at where we've been, where we're going, the challenges of representing our own particular cultures within the umbrella term "Latin@," and the challenges of being Latin@ within a overwhelmingly Anglo genre. Are there insurmountable differences in regional Latinidad? Do we have to choose between being “vendidos” (sell-outs) or “pelados” (surviving—barely—by our wits)? Can we build platform in two languages (and if so, how)? How are we combatting the “Latinos don't read/Latinos don't write” fallacy?

Friday, July 11

1 PM 

Latin@ Writers Read 

Reading: Carlos Hernández, Daniel José Older, Julia Rios and Sabrina Vourvoulias 

In concert with the 'East, West, and Everything Between' roundtable about Latin@ SFF, panel participants will read from their own work and/or work of other Latin@ writers.

• I'll be reading from my story, Skin in the Game, which is slated to be published by Tor.com in late 2014 or early 2015.

3 PM 

Long Hidden Group Reading 

Rose Fox, Claire Humphrey, Michael Janairo, Ken Liu, Sunny Moraine, Daniel José Older, Sarah Pinsker, Sofia Samatar and Sabrina Vourvoulias

Long Hidden (edited by Rose Fox and Daniel José Older) is an anthology of speculative stories from the margins of history. Our participants will read from their stories, which dive deep into the hidden truths of marginalized people throughout history and around the world.

• I'll be reading from my story, The Dance of the White Demons, which closes out the book. Look for it for purchase as ebook or in print at the Crossed Genres table in the bookshop.

4 PM 

Rape, Race & Speculative Fiction 

Panelists: Chesya Burke, Mikki Kendall (leader), Rose Mambert and Sabrina Vourvoulias. 

Rape as a plot device can be highly problematic. We've certainly seen it used as the only trauma or the worst trauma that can happen to a woman in fiction. But what happens when writers from marginalized communities include it in their fiction as a way of exploring painful history that has gone unacknowledged? We will discuss Nnedi Okorafor's Who Fears Death, Andrea Hairston's Redwood and Wildfire, and other examples. This panel will cover some very sensitive topics, so please be respectful of yourself and others.

7 PM 

Tabula Rasa Group Reading

Reading: Jennifer Marie Brissett, Justin Key, Barbara Krasnoff and Sabrina Vourvoulias. 

Tabula Rasa is an NYC-based writers group made up of experienced, published science fiction/fantasy/horror writers. Each member will be reading a portion of a story, published or not yet published.

• I'll be reading from my story, The Bar at the End of the World, from the anthology The Many Tortures of Anthony Cardno (fresh off the press at Readercon!) which benefits the American Cancer Society's Relay for Life. Look for it for purchase as ebook or in print at the Lethe Press and/or Crossed Genres tables in the bookshop. 

Saturday, July 12

10 AM 

When the Other Is You 

Panelists: Chesya Burke, Samuel Delany, Peter Dubé, Mikki Kendall, Vandana Singh and Sabrina Vourvoulias. 

Being part of an underrepresented group and trying to write our experience into our work can be tricky. We might have internalized some prejudice about ourselves, we might not have the craft to get our meaning across perfectly, and even if we depict our own experience totally accurately (as Chimamanda Ngozi Adichie observed in her TED Talk "The Danger of a Single Story"), we do so while struggling against the expectation that our experience is or isn't "representative" or "authentic." How do we navigate the pitfalls and responsibilities of being perceived as spokespeople? What potentially pernicious dynamics allow us that dubious privilege in the first place? Which works make us cringe with their representations of us, and which make us sigh with relief and recognition?

7 PM 

Solo reading 

• I haven't decided yet whether I'll read from my novel, Ink (Crossed Genres); or another story that will be published in 2015 by Tor.com, The Way of Walls and Words; or one of the stories or novellas for my planned collection of short stories, Sin Embargo; or perhaps even a section of my work in progress, a Sci Fi space opera, tentatively titled Tierras Huerfanas/Orphan Lands. 

You can, of course,  purchase Ink as ebook or in print at the  Crossed Genres table in the bookshop, but for the other, you'll just have to wait.

Anyway, help me make the decision about which to read. Let me know in comments which sounds most interesting to you. You'll have my eternal gratitude, because I really, really, really can't seem to decide on my own.

And if you've never been to Readercon, what are you waiting for? I'd love to see/meet you there!

 

Dream cast and playlist (sort of) for my novel INK

I took a page from mystery writer Carmen Amato, who recently posted the dream cast for her book Hidden Light of Mexico (along with a playlist of songs to read by) and decided to do the same for  INK.  Not that the novel is imminent danger of being filmed — can you see Hollywood optioning a book that has been described as "a call for justice;" an immigration dystopia set in the near future, with significant Latino roles? But it is fun to imagine anyway. So here goes ...

Character: Mari
"I am their storyteller.
Others try: Francine retelling myths, Abbie turning tweet to story. But the children always come back to me. Satchel only hears my stories once a month, when he comes up to the woods to visit his father, but he's got the kind of mind that holds forever. Even as the years pass and Gus gets tall, Lucero fills out, Satchel turns contemplative, they come for the stories.
I tell them the one about the boy shapeshifter, and the star girl, and the child who bridges worlds. I tell them other tales, too, so they will know that everyone is made of stories. 
Each of them at a different time obsesses about my tattoo."

Actor: Dalia Hernández
29. Mexican. Film credits include Apocalypto, Miracle Underground and Soho Square. She has Mari's quiet intensity.

Character: Finn
"I can't remember when we started calling them inks. After all, it isn't until know it's certain they'll be tattooed when they enter the country. Actually, unless I'm misreading the soon-to-be-law even the permanent resident and citizen inks will end up with tattoos, with a color scheme to indicate terminal status.
I lean back a moment and stare across the newsroom while I consider how to best shape the lede. There isn't a single ink in the Gazette's newsroom, never was. Even at the big papers there hadn't been a glut of them. Melinda catches me looking around and glares at me. They must teach that look in journalism school because all my cohorts go silent and lean into their monitors as if to convince her they haven't been goofing off.
Me, well, I keep smiling. I'm her favorite reporter even though I haven't seen a day of j-school. 
I file the story a full five minutes before she expects it. She edits it in two. A minute after the new media dude gives us the thumbs up, we watch as my lede floods the fall."

Actor: Ryan Reynolds
38. Canadian. Film credits include R.I.P.D., Green Lantern, The Proposal, Harold & Kumar go to White Castle, among many others. Reynolds isn't as stocky as I'd imagined Finn, nor at 6' 2" quite as tall — but  almost...

Character: Meche
"Cuban. A former chemist. Well, I guess she's still a chemist, just no longer employed by the pharmaceutical company that holds her patents. On her own she's developed this absolutely dead-on synthetic skin. All you need is a small jar of the compound, one of the powdered catalyst, and water to activate it. Sets up quickly. Can ve dyed to match different skin tones so it's perfect to cover tattoos. And it's undetectable. For a few weeks at least, until it starts degrading. Some of the Cuban inks have been paying through the nose to get it at her peña. As long as you have money and don't have an accent it's the way to go."

Actor: Jessica Alba
33. U.S. Latina. Film credits include Sin City, Machete, Valentine's Day, Fantastic Four, among many others. Meche is almost a goddess — all gold surface and grit beneath — so is Alba.

Character: Del
"I cross behind the cabin, down to where the stream has nearly iced over. Up the steep bank roughly parallel to the cabin's south window I start scanning the ground looking for the tracks I spotted earlier.
Moonlight pools in the glade as I squat down to them. I put one hand on the footprint, digging into it until my fingers hit ground, and close my eyes.
It is a slide I take, down to the chambers of my heart. I can count the seeds slumbering in this piece of land, and the fiddleheads curled under snow waiting for a distant wake-up call. My blood can course along the sappy viaducts of birch and oak, the resinous gullies of hemlocks. And deeper still, I can hear the molten buzz of a mantle perpetually in motion. 
And the footstep? The land lets me know where its owner headed from here, and how long ago."

Actor: Freddie Prinze Jr.
38. U.S. Latino. Film credits include To Gillian on her 37th Birthday, Scooby Do, I Know What You Did Last Summer, along with many TV roles. Since Del isn't Latino, it would be a nice switch on the more commonplace non-Latino playing Latino role (I'm looking at you, Ben Affleck).

Character: Abbie
"I convince my mother to put me on computer work for the duration of my community service so I don't have to grapple with what the inkatorium is, and my part in it. I particularly don't want to run into Pete.
I do some of the work I'm supposed to, but mostly I try my hand at sabotage. First I hack into the state public health consortium's system, into the human resources department server. 
They've got dirt on all the inkatorium's administrators. My father's DUI is in my mom's file, along with her terrible credit rating and the lien on property taxes she hasn't been able to pay in full yet. Also the number of inks who have escaped the inkatorium under her watch."

Actor: Adelaide Kane
24. Australian. Film credits include Donner Pass, The Purge, Louder than Words, along with TV roles. She plays a credible teenager and the camera loves her without making her look too perfect.

Character: Toño
"Each line is really a number," he says, then recites them as he glides his finger across the tattoo.
"It tracks everything the government cares to know about me. From who I was born to and where, to whether I get the full rights of citizenship or not. Their measure of who I am."
"Someday it won't be that way," I say.
"They'll still see me as they want to see me," he says. "That's really the mark inks bear that you'll never understand, America."

Actor: Alex Meraz
29. U.S. Latino. Film credits include The New World and four of the films in the Twilight Saga, along with TV roles. Let's see what he really can do as actor, shall we?

There was only one secondary character I wrote with a film actor in mind — I pictured  Chato as veteran Chicano actor, Danny Trejo.

To my utter delight I was able to meet him and be part of an AL DÍA interview with him in advance of the release of the movie Machete Kills.

And, no, I didn't manage to screw up my courage and tell him he had been the inspiration for one of the characters in my novel. But I did get him to autograph one of my INK book cards, and that makes me unaccountably happy.

Unlike Amato in the post that inspired this one, I'm not going to include a playlist fitted to different scenes in the book (I'm far too lazy). But I did write the book to music (I dance around while I type) and Los Lobos, Chris Isaak and Three Days Grace are all mentioned in the book.

If I were to include a playlist La Santa Cecilia's El Hielo/ICE ; Aloe Blacc's cover of Avicii's Wake Me Up, and Las Cafeteras' wonderful La Bamba Rebelde would be on it. All of which draw attention to our current broken immigration policy which separates families and loved ones from each other, which detains without due process, and which is considering electronic monitoring of immigrants ...

One of the minor characters in my novel says this near the end of the book: "Don't let the future be written for you." The time to prevent the dystopia outlined in my novel is now. Urge your congress person to support just and humane immigration reform that:

• Provides a path to citizenship for undocumented persons in the country
• Restores due process protections to immigration enforcement policies
• Preserves family unity as a cornerstone of the national immigration policy
• Provides legal paths for low-skill immigrant workers to come and work in the United States
• Addresses the root causes (push factor) of migration, such as persecution and economic disparity

You've got three more days to help make SFF better ... and keep Crossed Genres going

Actually, writing isn't hard. It is mostly a goofily joyful experience.

Getting published, on the other hand, can be all kinds of miserable. Especially, if you happen to write speculative fiction that doesn't adhere to beloved (and worn threadbare) tropes, or if your writing style and protagonists are far from the default that the dominant culture assumes. Latino writer Daniel José Older has written eloquently about this and related topics on Salon and Buzzfeed.

As it happens, fairly early in his career, Older was published in the first iteration of Crossed Genres magazine, and subsequently the book side of CG published his acclaimed collection of short stories, Salsa Nocturna.

That first iteration of Crossed Genres magazine also published early work by Chinese-American SFF writer Ken Liu, whose work has gone on to be recognized with Nebula, Hugo and World Fantasy awards.

While Older and Liu may be some of the best-known of the magazine's alums, CG has a rare eye for talent, and many emerging writers have been published in the pages of its anthologies, its first magazine, and the newer version of Crossed Genres magazine (which is a Science Fiction and Fantasy Writers of America professional qualifying market), including Teresa Jusino, Priya Chand, Anthony Cardno, Shay Darrach, Athena Andreadis, A.J. Fitzwater, Kelly Jennings, Ibi Zoboi and many others.

All distinct and distinctive writers with one thing in common: they knock the default right out of speculative

by challenging expectations.

The thing is, it's not by chance that Older, Liu and the rest of the CG cohort have been published by the small, Boston-based press. Publishers Kay Holt and Bart Leib are committed to running a magazine and press that reflects the true breadth and range of today's speculative fiction. Because of Holt's and Leib's outreach to QUILTBAG, trans*, writers of color, international and non-Anglophone writers, CG has been labelled by some genre purists as "destroying SFF."

That alone is enough to endear them to me for the next several hundred years. But, the truth is, I'm already forever indebted to them. The first speculative fiction story I sold, Flying with the Dead, was to CG (version 1). Other stories appeared in their anthologies Fat Girl in a Strange Land, Menial: Skilled Labor in Science Fiction, and the upcoming Long Hidden: Speculative Fiction from the Margins of History, which will launch in May. They also published my novel, INK — half magical realism, half immigration-based political dystopia — written by an older Latina writer whose publication credits at the time were solely in journalism.... ¡Híjole! It still boggles the mind that they took the chance.

So, anyway...

Crossed Genres has three days to go on a Kickstarter campaign that will enable them to continue publishing the pro-rate magazine for another year and become self-sufficient. I don't tend to enjoin my friends and readers to support kickstarters, but I believe speculative fiction needs magazines and presses exactly like CG — you know, the ones that see the past, present and future with you and me in it.

I plan to support Crossed Genres and I really hope you will too. (Need that kickstarter link again? Here you go.)

My schedule at Readercon

At Readercon 23 with college friend Francesca Bewer

Funny how July seemed so far away at one point... These are the panels I'll be on at Readercon (Burlington, Mass.) from July 11 through 14. Now that you know where to find me, stop by and say hello!

Thursday July 11

9:00 PM  Apocalypse Then. Leah Bobet, Maureen F. McHugh, James Morrow, Romie Stott (moderator), Sabrina Vourvoulias. In a 2012 interview published in the Boston Review, Junot Díaz told Paula Moya, "I always say if people [in the Dominican Republic] know about anything they know about the end of the world. We are after all the eschaton that divided the Old World from the New." In this sense many worlds have ended, with a bang or a whimper. What can authors of post-apocalyptic stories learn from past apocalypses like the 1994 Rwandan genocide or the fall of Imperial Rome, and why are there so few works that present real-world events in this light?

Friday July 12
 

With Daniel José Older at Crossed Genres reading  Readercon 23

Latino Speculative Fiction Writers Collective Group Reading. Daniel José Older, Julia Rios, Sabrina Vourvoulias. Latino speculative fiction writers will read from their work.
11:00 AM 

12:00 PM  Writing Others I: Theory. Michael J. DeLuca, Andrea Hairston, Rose Lemberg, Maureen F. McHugh, Daniel José Older, Joan Slonczewski (leader), Sabrina Vourvoulias. Authors who want to write outside their own experiences of race, ethnicity, culture, gender, and sexuality face a multitude of challenges. How do we present each character's unique perspective while celebrating their distinctive identity and avoiding stereotypes and appropriation? How is the research and writing process affected by differences between the author's and the character's levels of societal privilege? Is it possible to write about future diversity without oppression, or does today's reality require us to write in today's frame? Which authors have handled this well, and what form does "handling this well" take?

3:00 PM  What the Other Sees as Other. Barbara Krasnoff (moderator), Maureen F. McHugh, Julia Rios, Vandana Singh, Sabrina Vourvoulias. Maureen F. McHugh gets us so deeply into a character's head that while the character may be "other" to the reader, what really registers as "other" are the people who are "other" to the character. For example, in McHugh's short story "Special Economics," otherness is not about being Chinese, because all the characters are Chinese and in China; it's about being old, having ideas that are no longer current or relevant. We'll discuss this and other (ahem) examples of the depiction of otherness.

7:00 PM Sociolinguistics and SF/F. John Chu, Rose Lemberg (leader), Alex Dally MacFarlane, Anil Menon, Sabrina Vourvoulias. Sociolinguistics studies the ways in which language intersects with society. It looks at issues such as interactions of language with power, prestige, gender, hegemony, and literacy, bilingualism and multilingualism, translation, language birth, and language death to name but a few. We will look specifically at the kinds of tensions that are created in societies where people speak different languages or dialects depending on social and racial/ethnic status. We will also discuss genre books in which those topics have been explored, and consider sociolinguistics tools and concepts that may be useful to writers.

Saturday July 13

12:00 PM Friendship Is Magic. E.C. Ambrose, Rose Lemberg, Kathryn Morrow (leader), JoSelle Vanderhooft, Sabrina Vourvoulias. Heroes have friends and companions, while villains only have minions. Stern protagonists can be softened by romantic attachments that draw them back into the community, but the plot also requires that they be special, isolated by some terrible burden of privilege or unshareable secret. Loner stories are episodic (the gunslinger rides off to the next town, the gumshoe slouches off to the next case) while going from solitude to connection is perhaps the most common character development. This panel will examine how cultural narratives and values around heroism, personal development, sex and gender, class, family, and community affect the ways we write and read about being alone and being connected.

Reading: Sabrina Vourvoulias. Reading from my novel Ink.
6:30 PM

7:00 PM Women's Bodies, Women's Power. Athena Andreadis (leader), Alex Dally MacFarlane, Kate Nepveu, Vandana Singh, Sabrina Vourvoulias. In many times and places, cisgender girls and women have been evaluated by their bodies, including their choice of dress, sexual behavior, virginity, and fertility. Juxtaposed with this are the mystification and taboos surrounding menstruation, pregnancy, and menopause. This outlook has migrated wholesale into speculative literature. It's still standard fare in fantasy for women to lose (or be thought to lose) any extranormal powers they possess when they first have penetrative sex, menstruate, or become pregnant, from André Norton's Witchworld adepts to Zamia in Saladin Ahmed's Throne of the Crescent Moon. Athena Andreadis will explore the tropes and assumptions around this issue, including variants applied to trans* and non-binary characters.

Sunday July 14

10:00 AM Gender and Power in Literature and Life. E.C. Ambrose, Cathy Butler, Eileen Gunn, Rose Lemberg, Daniel José Older (leader), Sabrina Vourvoulias. This workshop, led by Daniel José Older, is a critical look at different ways that gender and power shape our realities and experiences of the world. With examples from the writing process and fantastical literature in particular, we will deconstruct dynamics of power and privilege on the gender spectrum.

9:00 AM Enclaves and Conclaves: Subsocietal Safe Spaces. Gwendolyn Clare, Shira Daemon, Resa Nelson (leader), John Shirley, Sabrina Vourvoulias. People often form societies of commonality to act as safe spaces: LGBT community centers, religious social groups, Girl Scouts, D&D campaigns, speculative literature conventions. We rarely see this sort of sub-societal safe space in speculative fiction, finding instead more tangible safe spaces of domed cities, post-apocalyptic enclaves, or rails over a dangerous earth; and often, in fiction, the perimeter is breached. What does this say about our perceptions of safety and danger, our establishment and perpetuation of in-groups and out-groups, and our ambivalence toward purported utopias?

Kay Holt and Bart Leib at Readercon 23

There are lots of great panels and readings I look forward to attending — you should check out the full program  and some of the amazing people scheduled to take part. The other thing I learned at my first Readercon last year ... the bookshop is a fantastic (and financially dangerous) place to frequent. If you are there, stop by the Crossed Genres table, where INK and many other books will be available. Plus, Bart Leib and Kay Holt are fun to hang out with.

See you soon in Burlington!

The Next Big Thing - Work in Progress

I was tagged in a chain blog called "The Next Big Thing - Work in Progress." It gives blog readers a bit of a glimpse into the writer's world and the upcoming novel/collection/book that writer is working on.

I'm delighted that speculative fiction writer Morgen Rich tagged me.

She was tagged by TS Gwilliams.

I've linked their blogs, and at the end of the post I'll link the blogs of the two writers I've tagged. So, here we go:

1. What is the working title of your next book? Walking Spanish

2. Where did the idea come from for the book? Midway through writing my first novel, INK, I took a break and wrote a novella that centered on a young Mexican-American woman in Philadelphia who was grappling with two horrifying things at once: one, that her brother — an undocumented immigrant — disappeared off a train platform as he was on his way to work. The other, that a childhood monster from Mexican tradition was alive and preying on people in the protagonist's city.... The narrative got me thinking about the way those of us who immigrate from elsewhere bring our monsters over the borders with us. What happens to them?  Do they prey only on those who know their stories? Do they want to slip their stories as they slip the border?  Do they *gasp* become acculturated? So I decided to write a series of linked stories exploring just that.

3. What genre does your book fall under? I write across genres, but I think dark fantasy or magical realism are probably the easiest fit for most of my work.

4. What actors would you choose to play the part of your characters in a movie rendition?  Since it is a collection of linked stories it is tough to say. But I write Latino protagonists and characters in a fairly wide range of ages .... I quite like Rachel Ticotin for the sexy older protagonist of “The Emporium of Crossings;” Elpidia Carrillo for the artist-witch in “Bad Blood;” and Tyler Posey as the young lead in “With Syringe and Four Reales.” Edgar Ramirez and Gina Rodriguez would be a pretty terrific pairing as Elvis and Kat in "69th Street" (the novella that started it all). There's more, of course. Like, who would I cast as El Cucuy? Or, La Siguanaba? Lots of fun to be had casting monsters. ;)

5. What is the one-sentence synopsis of your book? Do monsters cross borders with the immigrants who believe in them?

6. Will your book be self-published or represented by an agency? I’ll probably shop it around when it’s a little closer to finished. Story collections are a tough sell, I’m told. But there are some amazing small presses out there, so maybe one of them will be interested.

7. How long did/will it take you to write the first draft of the manuscript? I’m a slow writer, so if I finish a first draft by this winter I’ll be really pleased.

8. What other books would you compare this story to within your genre? That’s the thing about genre-hopping, it doesn’t really give you an easy basis for comparison. Maybe if you took the stories of Augusto Monterroso, Angela Carter, Geoff Ryman, Ana Castillo and Demetria Martinez and put them in a blender together ....

9. Who or what inspired you to write this book? The folktales of Guatemala and Mexico are, of course, my first inspiration for these stories. But it’s also a book of stories about immigrants. So the experiences of my parents, my family, my friends and some of the people I’ve interviewed in my newspaper work all inform the narratives in both big and small ways.

10.What else about the book might pique the reader's interest? There's creepy, grotesque, sexy and bittersweet in this book. And lots and lots of teeth.

Time for tag.

I'm tagging Shay Darrach to post on May 2. I think Shay's a wonderful storyteller with a distinctive voice and beautifully textured prose. Also just a really fine human being. (Fun to hang out with at Arisia, too.) I have it on good authority that one of Shay's upcoming publications is a truly award-worthy piece of short fiction. I can't wait to read about it and his other writing projects.

I'm tagging Kay Holt to post on May 9. I fell in love with Kay's characters in the short story "Parent Hack" in Crossed Genres' anthology Subversion, and later found out it was part of a novel in progress. Like Shay, Kay is a sweetheart. But she's also a terrific editor and publisher and writer. When I was studying fiction with Allan Gurganus, one of the pieces of advice he gave us was: honor everyone in your story. It turns out to be a horribly difficult thing to do, and some writers don't even try. But that is one of the salient features in Kay's work — she honors every character and so produces some of the most nuanced and deeply compassionate SFF I've read.

Be sure to check out their "Next Big Thing" blog postings, and Morgen Rich's, and come check back here and tell me what you think of all the upcoming book projects (yes, mine too)!

Links: Comadres, Radio Times and Astrogator's Logs

Superficial Darkness and Luminous Ink

Scientist, writer and editor Athena Andreadis reviews my novel INK on her always fascinating blog Astrogator's Log:

"If Ink had been written in any language but English, it would have become a bestseller with reviews in the equivalent of the NY Times...."

Read in full by clicking here.

Talk about it with your comadres

In the March teleconference of Las Comadres para las Américas March teleconference, Nora Comstock  asks everything about INK, from nahuales to characters' voices. Listen to the half-hour interview by clicking here.

These are still radio times

I'm interviewed on the renowned Philadelphia NPR/PBS/WHYY  show Radio Times about the book I edited for Al Día, 200 Years of Latino History in Philadelphia, along with fellow guests: Erika Almirón of Juntos, and historian Victor Vasquez. Listen to the hour-long interview by clicking here.

Also from WHYY's Newsworks, Elisabeth Perez-Luna's short piece on the same subject. To hear it, click here.

Rambling on about my novel Ink, dancing while writing, Guatemala and more at Anthony Cardno's Rambling On blog

Read the interview by Anthony Cardno here: http://anthonycardno.com/2013/02/interview-with-sabrina-vourvoulias/

Ink and La Gorda and the City of Silver are eligible for Hugo, Nebula awards

People in the SFF world are starting to talk about Hugos and Nebulas - the big awards where speculative fiction is concerned. As it happens, I'm not eligible to nominate or vote in either (having just made my first pro rate sale recently) but I do have two works that are eligible to be voted in and on.

If you are a SFWA or WorldCon eligible voter please consider voting for my novel INK (published by Crossed Genres Publications in October 2012)  in the best novel category, and for my short story "La Gorda and the City of Silver" (which appeared in the anthology Fat Girl in a Strange Land in February 2012) in the best short story category.

Neither of them is available to read online beyond Ink's "Look inside" feature on Amazon, but the Los Angeles Review of Books reviewed it on Dec. 27 (click here to read); as for "La Gorda and the City of Silver," if you'd like a copy of the short story to read before you cast your vote, email me at svourvoulias (at) yahoo (dot) com and let me know so I can send you one.

Yes, I absolutely know there is only the remotest of chances my work will be looked at seriously in these categories given the amount of competition out there, but that Latina hope-and-stubborness mix is kicking in, so here you have it.

If you can, please vote.

Link to Hugo awards: http://www.lonestarcon3.org/hugo-awards/index.shtml
Link to Nebula awards: http://www.sfwa.org/nebula-awards/

Los Angeles Review of Books takes a look at my novel, INK

Sherryl Vint calls INK provocative (love it!) and writes a thoughtful and considered review of it in the most recent edition of the Los Angeles Review of Books online click here to read. I'm honored, amazed and just a little bit overwhelmed. Please share this link!

Follow the Lede newsletter

A new issue of my newsletter is out. Email me to let me know if you want to be added to the mailing list: svourvoulias (at) yahoo (dot) com.

Ink makes Latinidad's "Best Books of 2012" list

Woo, hoo! Incredibly honored and delighted to say my novel, INK, has made it on Latinidad's "Best Books of 2012" list.

"If Margaret Atwood were Latina..." the recommendation starts and it's enough to make me dance a little cumbia as I type it. Click here to read the full list.

Order INK on Amazon here, or Barnes and Noble here.

SF Squeecast, the Skiffy and Fanty Show and the Outer Alliance podcasts

Who knew that podcasts would be one of the best ways to hear about books you might want to read?

I've recently discovered three podcasts that do that (and more), each in quite distinct ways. Truthfully, I discovered them because they've each provided a mention of my novel, INK, in one of their podcasts, but I've stayed because they've already augmented my "to be read" list.

SF Squeecast - brings together four or five SFF writers to talk about books, films and TV shows that have caught their attention. In episode 18 "You can't put your finger there"  you can hear author Elizabeth Bear talk about INK; along with Paul Cornell on the British TV show Quatermass; Seanan McGuire on the U.S. TV show Mockingbird Lane, Lynne M. Thomas' take on Love and Romanpunk by Tansy Rayner Roberts; and Catherynne M. Valente's delight in the novel Seaward by Susan Cooper. As you can see, it's a nice combination of very recent and classic SFF, and the discussion is in-depth enough to really make you want to read (or watch) the works discussed.

The Skiffy and Fanty Show - Shaun Duke and company deconstruct films, subgenres, the writer's process, anything and everything. In the interview with me, Episode 117, Shaun and Paul Weimer asked questions that were, for the most part, so out of the norm no one had yet asked them of me. So we delve into translation, for example, and the ways poetry, journalism and fiction intersect. There is a charming informality about the Skiffy and Fanty show podcasts, underpinned by intellectual and academic engagement, and a truly encyclopedic knowledge of the SFF genre. Plus, when they interview writers they give them nicknames. For future reference I am Sabrina Vourvoulias, a.k.a. the Octopus (hence the image on this post) because the book I issued is titled INK. They've recently interviewed writers Jay Kristoff and Cat Rambo, and it is worthwhile to trawl the archives. I really enjoyed an interview they did with Tobias Buckell (a.k.a. Captain Planet) in February.

Outer Alliance podcast - The Outer Alliance is a group of SFF writers who have come together as allies for the advocacy of LGBT issues in literature. The podcast is only one of many ways they focus attention on LGBT issues in SFF. Julia Rios conducts the podcast interviews, and she has something of the quality of NPR's Terry Gross — if Gross focused on SFF, diversity and representation in literature, that is. My first listen to the podcast was OA Podcast #23, which was an interview with Bart Leib and Kay Holt, the publishers of Crossed Genres (who published INK), which delved into their philosophy of publishing, among many other topics. In addition to interviews with writers like Elizabeth Hand and Tansy Rayner Roberts, Outer Alliance has conducted some fascinating topic-centered podcasts of panels at SFF conventions, like the "Heteronormativity in YA Dystopians" panel from WisCon and a "Changing the Conversation" program recorded at WorldCon.

If you listen through the end of the Skiffy and Fanty show podcast, you'll hear Shaun and Paul and I discuss one of the great advantages of indie bookstores — the way an informed bookseller can guide you to books you haven't heard about but that dovetail with your preferences, or even blow your preferences wide open. No algorithm on Amazon or Goodreads that picks "you might also like" suggestions can do what that informed bookseller in love with genre literature can. But I'm convinced that the sorts of genre-centered, literary podcasts I've highlighted here are as close to the virtual equivalent of that informed bookseller as you can get, and as such they perform a very, very valuable service to the genre and to us individually as readers and writers.

SF Squeecast, the Skiffy and Fanty Show and Outer Alliance are the three I've found, but I'm sure there are other podcasts out there worth discovering. Leave me links to the ones you like (and why) in the comment section.

Fox News Latino: Sabrina Vourvoulias releases novel Ink

Thrilled to have Fox News Latino showcase my novel, INK! Read about its immigration theme, its link to Guatemala and my love of magical realism:
http://latino.foxnews.com/latino/lifestyle/2012/11/01/sabrina-vourvoulias-releases-new-novel-ink/

Book signings at LATISM 12 in Houston

Delighted to be among the writers at LATISM 12's book signings!

Another review of INK and interview

Somehow, I slipped up and forgot to link to this terrific review by The Future Fire: http://reviews.futurefire.net/2012/10/vourvoulias-ink.html

and the interview at the Hispanic Reader:
http://hispanicreader.com/2012/10/16/meet-novelist-sabrina-vourvoulias-author-of-ink/

The book is up at Amazon, and on Wed., Oct. 24 we'll be celebrating its launch at Cuba Libre restaurant and rum bar in Philly. Email me if you want more information about this!

Crossed Genres Publications releases INK, a Latino novel with immigration theme

Al Día News editor Sabrina Vourvoulias’ novel, “Ink,” highlights news media and anti-immigrant sentiment in novel combining dystopia and magical realism

On Monday, Oct. 15, on the last day of the observance of Hispanic Heritage Month, Crossed Genres Publications of Somerville, Mass., releases Sabrina Vourvoulias’ novel, “Ink,” a fictional look at what happens when rhetoric about immigrants escalates to an institutionalized population control system. (To read a portion of the first chapter and order on Amazon: http://www.amazon.com/Ink-Sabrina-Vourvoulias/dp/0615657818/ref=sr_1_1?s=books&ie=UTF8&qid=1350269229&sr=1-1&keywords=ink+by+sabrina+vourvoulias)

The near-future, dark speculative novel opens as a biometric tattoo is approved for use to mark temporary workers, permanent residents and citizens with recent immigration history - collectively known as inks. This “chilling tale of American apartheid, and the power of love, myth and community” (Reforma: The National Association to Promote Library and Information Services to Latinos and the Spanish Speaking) has its main characters grapple with ever-changing definitions of power, home and community, and perceptions of “otherness” based on ethnicity, language, class and inclusion.

Set in a fictional city and small, rural town in the U.S. during a 10-year span, the novel is told in four voices: a journalist; an “ink” who works in a local population control office; an artist strongly tied to a specific piece of land; and a teenager whose mother runs an inkatorium (a sanitarium-internment center opened in response to public health concerns about inks). Vourvoulias, of Guatemalan-American descent and the managing editor of Philadelphia’s largest Spanish-language newspaper, Al Día, has described the characters as “complicated people in complicated times trying to live their lives as best they can. You know, us.”

“Readers will be moved by this call for justice in the future and the present.” (Publishers Weekly)

“The conflict driving the novel will fill readers with dismay, seeing parallels between what has already taken place—Japanese locked in concentration camps, narcos controlling swaths of territory in Mexico, rednecks with power—and the novel’s permutations of today’s ugly commonplaces.” (Michael Sedano, La Bloga)

 “In Ink, Vourvoulias masterfully weaves an increasingly complex parallel universe at once fantastical and eerily familiar: a not-so-farfetched future world where myth and legend cohabit with population control schemes, media cover-ups, and subcutaneous GPS trackers.” (Elianne Ramos, the vice chair of Latinos in Social Media – LATISM)

Ink’s publication is part of Crossed Genres’ commitment to bringing new and underrepresented voices into fiction. CG’s list of publications include Daniel José Older’s “Salsa Nocturna;” Kelly Jennings’ “Broken Slate;” RJ Astruc’s “A Festival of Skeletons;” as well as the anthologies “Subversion,” “Fat Girl in a Strange Land” and the upcoming “Menial: Skilled Labor in SF.”

For more information about “Ink,” or any of Crossed Genres’ titles, contact Bart Leib at 617- 335- 2101 or by sending an email to publicity@crossedgenres.com.