Showing posts with label fat girl in a strange land. Show all posts
Showing posts with label fat girl in a strange land. Show all posts

Sunday, April 27, 2014

You've got three more days to help make SFF better ... and keep Crossed Genres going


Actually, writing isn't hard. It is mostly a goofily joyful experience.


Getting published, on the other hand, can be all kinds of miserable. Especially, if you happen to write speculative fiction that doesn't adhere to beloved (and worn threadbare) tropes, or if your writing style and protagonists are far from the default that the dominant culture assumes. Latino writer Daniel José Older has written eloquently about this and related topics on Salon and Buzzfeed.

As it happens, fairly early in his career, Older was published in the first iteration of Crossed Genres magazine, and subsequently the book side of CG published his acclaimed collection of short stories, Salsa Nocturna.

That first iteration of Crossed Genres magazine also published early work by Chinese-American SFF writer Ken Liu, whose work has gone on to be recognized with Nebula, Hugo and World Fantasy awards.

While Older and Liu may be some of the best-known of the magazine's alums, CG has a rare eye for talent, and many emerging writers have been published in the pages of its anthologies, its first magazine, and the newer version of Crossed Genres magazine (which is a Science Fiction and Fantasy Writers of America professional qualifying market), including Teresa Jusino, Priya Chand, Anthony Cardno, Shay Darrach, Athena Andreadis, A.J. Fitzwater, Kelly Jennings, Ibi Zoboi and many others.

All distinct and distinctive writers with one thing in common: they knock the default right out of speculative


by challenging expectations.


The thing is, it's not by chance that Older, Liu and the rest of the CG cohort have been published by the small, Boston-based press. Publishers Kay Holt and Bart Leib are committed to running a magazine and press that reflects the true breadth and range of today's speculative fiction. Because of Holt's and Leib's outreach to QUILTBAG, trans*, writers of color, international and non-Anglophone writers, CG has been labelled by some genre purists as "destroying SFF."


That alone is enough to endear them to me for the next several hundred years. But, the truth is, I'm already forever indebted to them. The first speculative fiction story I sold, Flying with the Dead, was to CG (version 1). Other stories appeared in their anthologies Fat Girl in a Strange Land, Menial: Skilled Labor in Science Fiction, and the upcoming Long Hidden: Speculative Fiction from the Margins of History, which will launch in May. They also published my novel, INK — half magical realism, half immigration-based political dystopia — written by an older Latina writer whose publication credits at the time were solely in journalism.... ¡Híjole! It still boggles the mind that they took the chance.

So, anyway...

Crossed Genres has three days to go on a Kickstarter campaign that will enable them to continue publishing the pro-rate magazine for another year and become self-sufficient. I don't tend to enjoin my friends and readers to support kickstarters, but I believe speculative fiction needs magazines and presses exactly like CG — you know, the ones that see the past, present and future with you and me in it.




I plan to support Crossed Genres and I really hope you will too. (Need that kickstarter link again? Here you go.)

Friday, January 4, 2013

Ink and La Gorda and the City of Silver are eligible for Hugo, Nebula awards

People in the SFF world are starting to talk about Hugos and Nebulas - the big awards where speculative fiction is concerned. As it happens, I'm not eligible to nominate or vote in either (having just made my first pro rate sale recently) but I do have two works that are eligible to be voted in and on.

If you are a SFWA or WorldCon eligible voter please consider voting for my novel INK (published by Crossed Genres Publications in October 2012)  in the best novel category, and for my short story "La Gorda and the City of Silver" (which appeared in the anthology Fat Girl in a Strange Land in February 2012) in the best short story category.

Neither of them is available to read online beyond Ink's "Look inside" feature on Amazon, but the Los Angeles Review of Books reviewed it on Dec. 27 (click here to read); as for "La Gorda and the City of Silver," if you'd like a copy of the short story to read before you cast your vote, email me at svourvoulias (at) yahoo (dot) com and let me know so I can send you one.

Yes, I absolutely know there is only the remotest of chances my work will be looked at seriously in these categories given the amount of competition out there, but that Latina hope-and-stubborness mix is kicking in, so here you have it.

If you can, please vote.

Link to Hugo awards: http://www.lonestarcon3.org/hugo-awards/index.shtml
Link to Nebula awards: http://www.sfwa.org/nebula-awards/

Thursday, February 16, 2012

In la lucha

 5 ... 4 ... 3 ... 2 ...

1 day left before you can get Fat Girl in a Strange Land (with my story "La Gorda and the City of Silver") from Amazon.com and I've decided to set up my own little giveaway here. Participate and you'll be entered into the raffle to receive one of my copies of the anthology.

Okay, here's the catch. You have to do three things and post a comment here so I know to enter you in the raffle.

1) A teeny, tiny bit of research. La Gorda's father was inspired by a real person, a Guatemalan filmmaker who started out filming episodic lucha libre movies that showed before feature films in some Guatemalan movie theaters. His first full-length film featured one of his luchadores and a child from outer space. What's his name?

2) A nod toward those living en la lucha. Femicide rates in places like Guatemala and Honduras are extraordinarily high. I follow Vivas Guatemala@vivasgt and Campo Algodonero@femicidios, in addition to a number of independent Guatemalan women journalists, on Twitter who are serious about drawing attention to the issue. Of course, femicide isn't only a problem in Central America, so go on the net, read something about it (UNICEF issues reports and alerts about femicide rates, for example) and then just let me know here you did - no proof required. I trust you.

3) Insight into who you really are. If you were part of Lucha Libre team, what would your luchador/a name be?

That's it. I'll give you all a week or so before I pick the winner.

Wednesday, January 11, 2012

Sign up for giveaway of advanced reading copy of Fat Girl in a Strange Land

Crossed Genres Publications is offering three advanced reading copies of the anthology Fat Girl in a Strange Land, which has my story "La Gorda and the City of Silver" in it, to the winners of CGP's giveaway on Goodreads. But you have to be quick because the giveaway closes Jan. 14.

I've signed up for the giveaway, not so much because I'm cheap (though I have been known to exhibit those tendencies every so often) but because early reviews have excited my curiosity about many of other stories in the anthology. (For some idea of the range of stories take a peek at Lillian Cohen-Moore's review of the anthology, which you can read here. A much briefer Publishers Weekly review is here.)

If you are interested in the genesis of the anthology read Bart Leib's blog post about it here. (Along with Kay T. Holt, Leib is editor of the anthology and publisher of CGP). You can also chat with him tonight (Wed., Jan. 11) at the weekly Science Fiction and Fantasy Writers Chat on twitter. Use the hashtag #sffwrtcht to participate.

If you are interested in how I came to be included in this anthology, check out my earlier blog post: Unabashed fat.

Saturday, November 19, 2011

Unabashed fat

Adipose, from Doctor Who
Early in 2011, the bloggers’ site Smartly.com published a screed about fat people.

It was shortly after I had been approved to blog for the site, but hadn’t written a post yet and I was hitting it often to gauge the type of writers with whom I’d be keeping company. To be fair, the anti-fat-person post wasn’t written by one of their bylined writers -- it was posted in a subsection of the site called “Smartly Anonymous” and the writer -- regular? administrator? guest? who knows? -- was uncredited.

It was a pretty awful post -- prejudiced, intolerant, offensive (want to read it? go here) -- but I understood exactly what it was: bait. Provocative posts drive web traffic, and I’m sure the Smartly folks anticipated an upswing from whatever buzz the post would create. It’s not called Smartly for nothing.

I held back from commenting when I originally read it because I anticipated a firestorm of comments calling out the anonymous writer for the nastiness. But the comments were subdued. Some even sort of agreed. While most took umbrage with the word hate to describe the blogger's sentiment toward fat people, the commenters voiced disgust with the physicality of fat; implied a certain moral turpitude; described laziness, lack of discipline and a whole host of pejoratives as the imagined failures of their fatter brothers and sisters.

After posting two very long-winded comments, I decided I didn’t want to be associated with a site that hosted this sort of content. I haven’t been back, even as a reader, until today when I went there to retrieve the link to the post. 

In the ensuing year I’ve noticed stories about celebrities tossed off of airplanes because they were thought too fat to fit in one seat (read it here); parents who starved their infant because they didn’t want her to grow into an obese child (read it here); how fat trumps race, gender, social or academic skills as a reason kids get bullied (read it here).

What is it about obesity that unleashes the vicious in so many of us?

Images of beauty and ideas about worth are formed by families and peers, cultural norms and societal pressures. Centuries of fine art (and, indeed, ancient and folk art) tell us that the large, fleshy body can be both beautiful and powerful, but since the middle of the 20th century neither perception nor societal norm has favored the corpulent. (For this post I’m going to write only about body size, not the other tyrannies of image society imposes. Read my “You might be a cult member if…” post for an earlier take on some of those.) There are probably academic treatises tracing the whys and wherefores of the shift from fat being okay to anathema, but I’m more interested in noting how we -- consciously and unconsciously -- shore up and entrench this thinking. And how, by doing so, we enable blog posts like the one that drove me away from Smartly.

I should probably stop to disclose that I was a fat child, and a fat adolescent, and although I haven’t been really fat for nearly half of my life now, I’m no slip of a woman either. I inherited a compact, endomorphic solidity from grandmothers on both sides of my family and mostly I’m pretty happy with what that means. But then, I was lucky enough to grow up in Latin America at a time when it was okay, even desirable, to be gordita. I watched my mother and her middle-aged (or older) tías and primas-hermanas and friends out on the dance floor -- all curvy overweight and jiggly parts -- executing killer moves I still can’t quite replicate. They weren’t a bit abashed by their bodies. They were confident and sexy and having fun.

You have to have some hips to shake them, baby.

I’m not an heir to the deep puritanism that underpins the I-hate-fat blog post and hides in some of the comments. Both my Greek and Guatemalan-Mexican sides hold with joyful eating, joyful dancing, joyful celebration and connection to an earth that itself is fat, round and celebratory. Embrace, not renounce, is the motto my ancestral blood pulses.

Still, it wasn’t lost on me that the books I read so voraciously had precious few fat protagonists. In the magazines I leafed through, the movies I watched, the music I listened to -- most aspects of pop culture, in fact -- the fat people were invisible. Nice irony, huh? The embodiment of presence and nowhere to be seen.

Which is more or less the way we want it to be at this moment in history. Think not? Read that blog and its comments again. A surprising number find the sight of a fat person an offense worth excoriation. And underpinning the healthful intentions of our current efforts to eradicate “the epidemic of obesity?” The same desire to erase the obese from our sight.

Understand, I’m not denying the health toll of extreme obesity, only pointing out that we speak of this differently than we do other health trends we’ve obsessed about. I remember when it seemed anorexia and bulimia were on everyone’s lips -- but we spoke about anorexics and bulimics in a much different way than we do the obese. Overachievers as opposed to underachievers. Steely with control as opposed to mushy with lack of it. Intensely intellectual in the sense of choosing mind over body, rather than animalistic. Wouldn’t you rather be thought the first in all of those than the second? How about if someone were using those words to describe your daughter or son? 

I can’t imagine, in those anorexia/bulimia “epidemic” years, that anyone could have written a blog post like the "I might hate you" one at Smartly Anonymous and thought to get away with it, much less elicit the "I hear you" embedded in some of the comments. And yet here we are -- the fat are fair game.

 A number of months ago Kay Holt, one of the editor-publishers of Crossed Genres, asked me to submit a story for an anthology she was planning. The catch, if you want to call it that, was that the protagonist had to be a fat girl or woman. And the fact that she was fat couldn’t be just a passing mention, it had to be integral to -- or at least integrated into -- the story as a whole. I ran through all my banked and half-finished short stories (there are rather a lot of them) and realized I had never written a story with a fat protagonist. Not one.

And I remembered being a fat little girl who read and read and read and never once came across a protagonist who looked even remotely like me.

Invisibility. Even from those who have felt it en carne propria (in their own flesh).

So I sat down and wrote a story.

Fortunately Kay (and Bart Leib, the other editor-publisher of Crossed Genres) liked “La Gorda and the City of Silver” enough to include it in their anthology Fat Girl in a Strange Land, which will be released Feb. 17, 2012. I can’t wait to read all the other stories in the anthology. The little kid in me is pretty much dancing around impatiently, a bit petulant at having to wait.

Is it going to change the way we perceive fat people? Probably not. It is a single small step in a journey that’ll take steps beyond counting. But tell you what, if even one young overweight girl sits down with the book and sees herself represented by one of the protagonists of the 14 stories included in the anthology, it will be enough. 

And then I’ll celebrate -- so very unpuritan of me, don’t you know-- by making all my real, round and uninvisible flesh jiggle in a dance of pure joy.

Update: Ebook advanced review copies of Fat Girl in a Strange Land are available for reviewers! Email publicity@crossedgenres.com if interested.

Tuesday, October 25, 2011

Ink, Fat and Inspiration

Where I write.
Last October I found out my story "Flying with the Dead" would be appearing in Crossed Genres magazine and my story "Paper Trail" was accepted for publication in GUD magazine.

I think we hadn't yet crossed over into November when I learned "Flying with the Dead" would also be included in Cross Genres' Year Two anthology.

They are each stories touching upon immigration, growing up in Guatemala and a particularly Latino practice of Catholicism. They were also my first fiction sales after years and years of writing straight journalism.


Fast forward a year, to October again.
First, I learn that this blog is one of three nominees for a Latinos in Social Media (LATISM) award for "Most Inspirational Latin@ Blog."

Next, I find out my story "La Gorda and the City of Silver" will be appearing in Crossed Genres' Fat Girl in a Strange Land anthology, and then, that Crossed Genres Publications will be publishing my novel, "Ink."
 
And again, all of these bits of writing touch upon immigration, growing up in Guatemala and Latino Catholicism. (Okay, not "La Gorda" which has nothing to do with immigration or the Church and lots to do with lucha libre - but we won't go there. For now.)

It makes me wonder about resonances, about the Octobers in my life - those months that, while a gateway into a cold and bleak season, actually bring a harvest of gifts.

Details from my writing space.
Or the notice of gifts to come.

October is a month dedicated to Mary - to whom, as Our Lady of Guadalupe, I have a devotion. My writing has long been a manda (a promise and debt) to her, so perhaps I shouldn't be surprised at what manifests in my life during her month.

Life. Art. Faith. Who can tell where the boundaries are?